Hotel Inhumans 2: Subaru and Ozaki's Personality Types

Anime illustration of Subaru and Ozaki playing piano together in a concert hall from Hotel Inhumans 2

Spoiler warning: it covers Season 2. If you haven't watched it yet, shoo, shoo! Go watch it first!

Transfer student Subaru joins the piano club created by the genius pianist Ozaki, saying he wants to learn piano. Ozaki drives the piano beginner Subaru hard, yet keeps up practice so that the two can play together. The two bicker and grow close in no time.

But for Subaru, piano wasn't about passion for music from the start. He's a contract killer targeting Ozaki's father.

And when he learns that the target's father will attend a recital held one month later, piano turns out to have been the perfect route for his mission.

〈The official trailer capturing the world of Hotel Inhumans and the two leads’ relationship.〉
* From the Crunchyroll YouTube channel.

✦ How the Two Relate

From approach to collision

Approach for the mission
Subaru gets close because of the job
Familiarity through practice
Time at the piano makes them comfortable
Sharing personal worries
Ozaki opens up about his father
Friendship vs mission
Friendship and the assassination mission collide

But this relationship doesn't end as a mere disguise. When Ozaki confides his complicated feelings about his father, the almost absurdly light comfort Subaru offers actually gives him strength.

Meanwhile, Subaru, too, begins to discover the fun of piano through repeated practice. How does playing to carry out a mission turn into something sincere? Looking at the two characters' personality types makes this change clearer.

✦ The Two Types at a Glance

This post's reading of the scenes

MBTISubaru ISTP, Ozaki ISFP
EnneagramSubaru 5w6, Ozaki 4w3
SubaruFinds the means that fit his purpose, learns skills through hands-on practice, and prepares the mission; tries to control situations through ability and preparation, but repeated playing creates an attachment outside the mission
OzakiExpresses music in his own way and links piano to private memories of his father; pursues his own expression and artistic individuality while also wanting his father's recognition

Analyzing their personality types, I suspect Subaru is an ISTP 5w6 and Ozaki is an ISFP 4w3. Below, I'll interpret this pairing based on the choices and actions the two actually take.

Subaru ISTP 5w6, Who Learned for a Mission and Found Real Fun

✦ Why Subaru Reads as ISTP 5w6

How he learns for the mission

Evidence
• At first could only play beginner-level pieces
• Joins the piano club to catch Ozaki's attention
• Keeps practicing in his hotel room
• Gains a joy outside the plan and wants to play better

Subaru calculates the problem that needs solving right now rather than getting swept up in people's feelings. The reason he must get close to Ozaki is clear too.

He didn't join the club because he's good at piano; at first he could only play beginner-level pieces. Even so, he joins the piano club to catch Ozaki's attention and keeps practicing in his hotel room as well.

Learning things himself and building skills when needed fits the ISTP's realistic, hands-on way of solving problems.

✦ Type Notes

ISTP, ISFP, 5w6, and 4w3

ISTP
• Read as responding to concrete problems and learning skills by trying things directly
ISFP
• Read as expressing personal values and sensory experience through music
5w6
• A motive to secure independence and safety through expertise and preparation
4w3
• A motive to show individual identity and expression through a drive for achievement and recognition

Enneagram 5w6 is a combination of the type 5 motive of wanting the competence to handle situations by oneself, with a cautious 6 wing added.

You can see the 5w6 side in how Subaru makes plans, takes care not to leave traces, and steadily finishes the preparations his goal requires. He didn't start the mission because he 'wanted to be friends.'

He built the relationship to get the information the mission's success required, and filled that process with practice and preparation. For Subaru, a plan is a safety device he can hold onto in place of emotion.

But the more he plays with Ozaki, the more Subaru gains a joy outside the plan. At first he had to pretend to play, but gradually he wants to play better.

Even after returning to the hotel he keeps practicing, and when Ozaki hands him a harder score, he accepts the challenge. What matters here isn't whether piano is useful for assassination.

It's that Subaru now wants to make the skill he learned for his goal into his own ability. A person skilled at missions has begun, for the first time, to be absorbed in something unrelated to the mission.

Ozaki ISFP 4w3, a Genius Who Plays to Reach His Father

✦ Why Ozaki Reads as ISFP 4w3

Memories of his father inside his playing

✔ Slams, then scores: Openly slams the playing, yet prepares scores Subaru can finish with practice
✔ Next goal: Throws him a goal to take on instead of praise
✔ Father's bouquets: Remembers his father coming to recitals and handing him bouquets
✔ Contradiction: Still wants recognition despite the embezzlement allegations

Ozaki has a prickly way of talking and doesn't hide his pride in being a genius. But watching what he does with Subaru, you can tell he doesn't stop at enjoying piano alone.

At first he openly slams Subaru's playing, but at the same time he prepares scores Subaru can somehow finish if he practices. Instead of smoothing over his mood with praise, he throws him the next goal to take on.

ISFP is linked to a tendency to stay true to one's own senses and values and to express what one has directly experienced in one's own way. For Ozaki, piano isn't a skill for earning a reputation for being good.

His playing is also a memory tangled up with his father. His father used to come to Ozaki's recitals and hand him bouquets, and Ozaki has treated that moment as confirmation that his effort reached his father.

Enneagram 4w3 is a combination of the type 4 wish to express one's own color, with a 3 wing's drive for recognition and achievement added. Ozaki isn't satisfied just with people calling him a genius.

Even after his father's embezzlement allegations became known to the world, he can't let go of the memory of his father coming to watch him play and handing him bouquets.

He can't look away from his father's wrongdoing, yet a wish to be recognized by him remains. This contradiction adds emotional weight to Ozaki's playing.

The Recital One Month Away: Why the Two Look at the Same Stage

For Ozaki, the recital is the day to show his father his growth. Even though rumors about his father's embezzlement allegations spread around school, Ozaki still hopes his father will come.

When he honestly opened up about that feeling to Subaru, Subaru neither weighed right and wrong nor defended the father. He simply said that if his father comes, the two should play a wonderful duet.

Subaru's reaction, which doesn't treat a serious worry too heavily, gives Ozaki room to breathe.

✦ Same Recital, Different Eyes

Ozaki and Subaru

Ozaki
• Sees the stage as a place to confirm his father's love
• The recital is the day to show his father his growth
Subaru
• Sees backstage as where the mission will be carried out
• Sees the recital as a chance to snipe Ozaki's father

It's hard to say those words are all of Subaru's true feelings. After all, he saw that recital as a chance to snipe the father.

The stage Ozaki looks at is a place to confirm his father's love, but the backstage Subaru looks at is where the mission will be carried out. The two prepare for the same performance while imagining completely different endings.

Because of this contrast, the scenes that follow feel crueler and more beautiful.

In episode 15, the closer the assassination day gets, the more absorbed Subaru becomes in practicing with Ozaki.

The official synopsis explains that piano, at first a tool for approaching the target's father, becomes something precious to Subaru as the time they play together builds up. This is exactly the point where 'sincerity' happens.

Subaru got close to use Ozaki, but through repeated practice he ended up lost in the time spent making music with Ozaki.

What I like most about this episode is that there's no scene where Subaru suddenly abandons his nature as a contract killer or tells Ozaki the whole truth. He still prepares for the mission, and Ozaki still thinks of him as a friend.

The fact that the two hearts don't move at the same speed hurts even more. For one, friendship is growing; for the other, a fight has begun in which the mission and friendship push each other away.

In this story, piano isn't a magical device that makes Subaru realize people's hearts. Piano is the trace of him spending time on his own, failing repeatedly, and improving little by little to build a relationship.

Subaru practiced to approach Ozaki, but in the end he came to look forward to that playing himself. Sincerity doesn't have to start from a pure reason at the beginning.

Sometimes even a relationship that began with calculation becomes something that can't be folded up as planned because of the time spent together.

So the biggest tension of this episode lies less in the setup of a sniper rifle and a piano on the same stage than in whether Subaru can still treat what has become truly precious to him as part of the mission.

That's all for this post. See you next time.

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